The Vessel sculpture in Manhattan has reopened to the public after a three-year closure, implementing new safety features to reduce the risk of suicides that previously led to its shutdown. The beehive-shaped structure, designed by Thomas Heatherwick, welcomed its first visitors on Monday morning, who quickly purchased tickets and lined up to explore its metallic, honeycomb design.
Approximately 75 tourists eagerly entered the venue, passing through a security checkpoint before climbing the zigzagging stairways and enjoying breathtaking views from various platforms, the highest of which reaches about 150 feet.
To enhance visitor safety, flexible netting has been installed around the walkable sections of the Vessel. While this new feature allows guests to take photos without leaning over the edges, it partially obstructs some views and restricts access to higher levels.
Tourists like Alexandre Paes, a software engineer from Rio de Janeiro, praised the views from both upstairs and downstairs, highlighting the beauty of the surrounding cityscape that could still be captured despite the netting.
The Vessel’s reopening is not without its history of safety concerns. Initially opening in 2019, the structure was forced to close after three people died from jumping off it. Following those tragic incidents, it reopened with enhanced safety measures, including security personnel and a policy that prohibited solo visits.
Unfortunately, these measures proved inadequate when another suicide occurred in 2021, prompting another closure. The latest reopening includes even more stringent safety protocols, now featuring floor-to-ceiling mesh barriers throughout the accessible areas.
On this reopening day, visitors enjoyed the experience of taking selfies and marveling at the reflections from nearby skyscrapers, while the COO of Related Companies, Andy Rosen, expressed optimism about the revamped safety measures.
He noted that the changes have shifted the experience into a “turning of the page,” allowing for a unique interaction with the sculpture despite the limited views. For some visitors, like Daniel Palumbo from New Jersey, the netting also provided a sense of security, alleviating fears associated with heights.
Despite some operational hiccups, such as a non-functioning elevator that limited access for some patrons, the Vessel has resumed its daily operations, welcoming guests from 10 a.m. to 9 p.m. New York City residents can visit for free on Thursdays, further encouraging local engagement with this iconic structure.
Tourists like Andrea Niño de Guzmán, who had previously encountered the closed attraction, expressed their excitement at finally experiencing the Vessel, albeit with some challenges along the way.